Nowadays, cell phone videos are very popular, especially during events and on the streets basically, people are videotaping everything with their cellphones.Ĭomparison of Forensic Animation and Visual Effects From convenience stores to fast food restaurants, malls to banks, traffic intersections to parks, CCTV systems are virtually everywhere. Video evidence can be found at more locations and from more diverse sources than ever before. This article will take a look at different technologies in the context of video investigations, past, present and future.įorensic video analysis is the scientific examination, comparison and/or evaluation of video in legal matters. There are new technologies and solutions that can help the evidential process but there are also some that represent threats. Advancing technology is creating new challenges both in the volume of digital evidence and the difficulty in both reviewing it and disclosing it at trial. Following correct procedures in the collection and processing of digital evidence is critical. Video evidence, whether from CCTV, covert surveillance cameras, mobile or body-worn cameras, is important in the majority of criminal investigations. Without this basic understanding, massive breaches will continue to cost billions of dollars and worse, lost trust for the entities involved, stifling future business.ĭigital Video Chain of Evidence in the 21st Centuryĭigital evidence is now a component in the majority of criminal investigations. This statement is like saying, “Something big is going on with every person that needs blood flow and oxygen going to their brain and heart.” Data is essential in modern business, all business sectors. There's an anomaly going on in the technology sector of every company, every organization that has data which requires security.
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Further, we have a comprehensive guide to the Sleuth Tool Kit Suite, a short journey through methodologies, a quick walkthrough using FTK, and a presentation about our author’s own tool, XALL.Īs always, we are extremely grateful to our wonderful proofreaders and reviewers - without them our work at the editorial team would not be possible. For the first time in the history of the magazine we have a chance to look at R and its uses in forensics, thanks to our long-time author Cordny Nederkoorn. In the second section of the issue you will see articles on working with other types of evidence, and you will have a chance to learn both about tools and techniques. To top it off, together with Michele Bousquet we take a look at the world of forensic animation and its relationship to visual effects. We also look further into speaker identification - this time with practical guidelines.
You’ll see a discussion on digital video chain of evidence from Mark Sugrue, and an iNPUT-ACE tool overview from Sami Mekki.
First, we check in with multimedia evidence, both video and audio. In this issue we focus on digital evidence, and we look at it from several different angles. Welcome to the “Working with Digital Evidence” issue of eForensics Magazine.
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